inspiration: This book from 1963, featuring wax-dyed textiles of the folk-houses, small towns, work spaces of craftsmen, and daily life in Japan in the early to mid 20th century. If I were a different sort of person, I would hide this book in my luggage and never let it out of my sight again! (Mom, if you are reading this, my birthday/christmas is coming up.) I was particularly inspired by this kimono.
stencil: Folkhouses of Fujino–my representation of daily life in the mountains. I attempted a 4 way repeat, if that means anything to you.
in progress: pasting the fabric. The pasted areas will remain white.
results: The difference between the light and the dark samples is due to how many times it was dipped in indigo.
I am really excited about this technique and the possibilities it offers. I appreciate the effort and intentionality that goes into stencil making, especially the push and pull between planning and execution, and what can’t be predicted or planned. (Or, at least, not by me or not yet). There is a kind of magic in seeing your stencil brought to life once the fabric is dyed. Maybe katazome could offer me room to grow and a set of limitations to explore. I’m thinking on it.